Failure and Destruction of a Romantic Ideal in Fitzgerald’s The Great G

The Great Gatsby and the Destruction of a Romantic Ideal In The Great Gatsby, F. Scott Fitzgerald tells the composition of a romantic ideal and its ultimate destruction by the inexorable rot and decay of modern life. The story is related by Nick Carraway, who has interpreted a modest rental house next door to Jay Gatsbys mansion. Jay Gatsby is a young millionaire who achieves fabulous wealth for the sole purpose of recapturing the love of his former sweetheart, Daisy Fay Buchanan. tailfin historic period prior to the principal events of the story, Daisy broke off with Gatsby and married the vulgar and arrogant Tom Buchanan because he was rich and came from a respectable family. In the years since, Gatsby turns his memory of Daisy into a near-religious worship. He places her on a pedestal and transforms her into his own romantic ideal. In the process, he also transforms himself. He changes his name from Gatz to Gatsby he invents a past, saying he was from a wealthy family and st udied at Oxford he affects the speech patterns of an English aristocrat (old sport), and stages parties that resemble theatrical productions. The mockery is that Gatsbys extreme pursuit of materialism is just an elaborate facade that allows him to pursue his enchanted spiritual vision. All of the trappings of his wealth have a genius of the unreal, as having no weight or substance. Our first sense of this occurs in Chapter 3, when Gatsby invites Nick to one of his parties. In Gatsbys library Nick encounters a drunken node who announces that Gatsbys books are actually real What do you think? he demanded impetuously. About what? He waived his hand toward the book-shelves. About that. As a matter of fact you neednt reach to... ..., boats against the current, borne back ceaselessly into the past. Works Cited and Consulted Bruccoli, Matthew J. Some Sort of Epic Grandeur The Life of F. Scott Fitzgerald. New York Carrol and Graf, 1993. Hobsbawm, Eric. The Age of Extremes. N ew York Pantheon, 1994. Mizener, Arthur, ed. F. Scott Fitzgerald A Collection of Critical Essays. Englewood Cliffs, NJ Prentice-Hall, 1963. Posnock, Ross. A New World, Material Without Being Real Fitzgeralds Critique of Capitalism in The Great Gatsby. Critical Essays on Scott Fitzgeralds Great Gatsby. Ed. Scott Donaldson. Boston Hall, 1984. 201-13. Raleigh, John Henry. F. Scott Fitzgeralds The Great Gatsby. Mizener 99-103. Trilling, Lionel. F. Scott Fitzgerald. Critical Essays on Scott Fitzgeralds Great Gatsby. Ed. Scott Donaldson. Boston Hall, 1984. 13-20.